Shoot one take
Upload a single talking-head recording. No lighting kit, no gimbal, no shot list — just hit record and talk.
00:00:00:00 — REC
Drop the rush.
Get the cut.
Impecut transcribes your footage, builds a shot-by-shot storyboard from what you actually said, and edits in the B-roll, motion, zooms and music itself. Then you finish it in a real timeline — not a black box.
POST-PRODUCTION, AUTOMATED
Four stages. Zero editing software.
Every upload moves through the same pipeline a human editor would run — Impecut just runs it in minutes, on its own.
It reads the footage
Impecut transcribes every word and logs it like a shooting script — marking where a zoom lands, where a cutaway belongs, where the pace wants a breath.
It assembles the edit
A full rough cut comes back with B-roll, generated motion graphics and music already placed against your own narration — not captions bolted onto a static frame.
You finish it
Open the real timeline and adjust it — swap a cutaway, regenerate a shot, nudge the music — before you export.
THREE WAYS TO CUT THE SAME FOOTAGE
Pick a cut, not just a filter
Templates change pacing, B-roll density and title treatment — the editing decisions, not a color overlay.
Story-Telling
Warmer pacing, longer B-roll holds, room for a pause to land. Built for founder stories, personal narrative, long-form vlogs.
The Military Show
Sharp cuts, bold titles, no dead air. Built for high-intensity, discipline-and-drive content that needs to keep moving.
Vox
Talking-head forward, minimal B-roll, editorial pacing. Built for commentary, opinion and interview-style cuts.